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An apostrophe is not an accessory. Here are examples of how and when to use an apostrophe—and when you definitely shouldn't. The post Here’s When You Should Use an Apostrophe appeared first on ...
An apostrophe is used in time and money references in constructions such as one hour's respite, two weeks' holiday, a dollar's worth, five pounds' worth, one mile's drive from here. This is like an ordinary possessive use. For example, one hour's respite means a respite of one hour (exactly as the cat's whiskers means the whiskers of the cat).
The Associated Press Stylebook says “use only an apostrophe” for sing. ... This story has been updated to correct that Harris would be the fourth president with a last name ending in S, not ...
The spelling es remained, but in many words the letter e no longer represented a sound. In those words, printers often copied the French practice of substituting an apostrophe for the letter e. In later use, ' s was used for all nouns where the /s/ sound was used for the possessive form, and when adding ' s to a word like love the e was
The most frequently used of these contractions—usually consisting of two or three words contracted into one word, contain short, common and often monosyllabic words like jeg, du, deg, det, har or ikke. The use of the apostrophe (') is much less common than in English, but is sometimes used in contractions to show where letters have been dropped.
The word one developed from Old English an, itself from Proto-Germanic *ainaz, from Proto-Indo-European root *oi-no-, [4] but it was not originally a pronoun. The pronoun one may have come into use as an imitation of French on beginning in the 15th century. [5]: 224 [6] One's self appears in the mid-1500s, and is written as one word from about ...
What can you do with a degree in English? Form the Typo Eradication Advancement League (TEAL) and tour the country notifying sign owners of extraneous apostrophes, bad spelling and other offenses.
An apostrophe is an exclamatory figure of speech. [1] It occurs when a speaker breaks off from addressing the audience (e.g., in a play) and directs speech to a third party such as an opposing litigant or some other individual, sometimes absent from the scene. Often the addressee is a personified abstract quality or inanimate object.