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In Spider-Man 3, shooting was difficult for cinematographer Bill Pope during fight scenes that take place at night, as the symbiote Spider-Man, Venom, and the New Goblin were all costumed in black for those scenes. [5]
The idea of giving Spider-Man a new costume was conceived by Randy Schueler, a Marvel Comics reader from Norridge, Illinois. [4] In 1982, Schueler was sent a letter by editor-in-chief Jim Shooter, who acknowledged interest in his idea, with Shooter coming up with the idea of a black-and-white costume. [5] "
Shooting was also difficult for cinematographer Bill Pope, as the symbiote Spider-Man, Venom, and the New Goblin were costumed in black during fight scenes taking place at night. [39] For the breakdancing scene, Maguire at first did not want to dance, but relented after Pomerhn Derrick showed him some Fred Astaire dance moves. [40]
However, Eddie ends up in New York by the end of “Venom 3,” making it easier to run into Queens native Peter Parker, aka Spider-Man, that much easier — if there were ever a crossover. Best ...
'Venom: The Last Dance' seems to close Eddie Brock and Venom's story, but the credits scenes seem to set up a new one for villain Knull.
Spider-Man: No Way Home: Following the mid-credit scene in Venom: Let There Be Carnage, the universe-displaced Eddie Brock and his symbiote Venom have a conversation with a bartender and decide to find Spider-Man, but are suddenly returned to their universe due to Strange's spell, unknowingly leaving behind a part of the symbiote. [29]
Venom was intended by Sony Pictures to be the start of a new shared universe, and plans for a sequel began during production on the first film. Harrelson was cast to make a brief appearance as Cletus at the end of Venom, with the intention of him becoming the villain Carnage in the sequel. Official work on the sequel began in January 2019, with ...
Venom is a 2018 American superhero film based on the Marvel Comics character of the same name.The first film in Sony's Spider-Man Universe (SSU), it was directed by Ruben Fleischer from a screenplay by Jeff Pinkner, Scott Rosenberg, and Kelly Marcel.