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The Epitaphios (Greek: Ἐπιτάφιος, epitáphios, or Ἐπιτάφιον, epitáphion, meaning "upon the tomb"; Slavonic: Плащаница, plashchanitsa; Arabic: نعش, naash) is a Christian religious icon, typically consisting of a large, embroidered and often richly adorned cloth, bearing an image of the dead body of Christ, often accompanied by his mother and other figures ...
Especially in Germany, Christ's eyes are usually open and look out at the viewer; in Italy the closed eyes of the Byzantine epitaphios image, originally intended to show a dead Christ, remained for longer. For some the image represented the two natures of Christ – he was dead as a man, but alive as God. [6]
The Epitaphios Thrinos (Greek: Επιτάφιος Θρήνος, lit. 'Threnody on the Tomb') also known as Encomia Epitafiou ( Εγκώμια Επιταφίου ) is a Christian liturgical hymn sang on Holy Saturday in the Orthodox churches.
This Epitaphios is placed on a bier and carried in procession as is the Epitaphios of Christ on during Great and Holy Saturday. [citation needed] This practice began in Jerusalem, and from there it was carried to Russia, where it was followed in various Dormition Cathedrals, in particular that of Moscow. The practice slowly spread among the ...
Epitaph on the base of the Haymarket Martyrs' Monument, Waldheim Cemetery, Forest Park, Illinois. An epitaph (from Ancient Greek ἐπιτάφιος (epitáphios) 'a funeral oration'; from ἐπι-(epi-) 'at, over' and τάφος (táphos) 'tomb') [1] [2] is a short text honoring a deceased person.
Epitaphios or epitaphius may refer to: Epitaphios (liturgical) or epitaphion , a cloth icon used during Holy Week in churches that follow the Byzantine rite Funeral oration (ancient Greece) or epitaphios logos
The epitaphios logos is regarded as an almost exclusive Athenian creation, although some early elements of such speeches exist in the epos of Homer and in the lyric poems of Pindar. "Pericles' Funeral Oration", delivered for the war dead during the Peloponnesian War of 431-401 BC, is the earlier extant example of the genre. [1]
Lamentation by Giotto, 1305. The Lamentation of Christ [1] is a very common subject in Christian art from the High Middle Ages to the Baroque. [2] After Jesus was crucified, his body was removed from the cross and his friends mourned over his body.