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The sarod is a stringed instrument, used in Hindustani music on the Indian subcontinent. Along with the sitar , it is among the most popular and prominent instruments. [ 1 ] It is known for a deep, weighty, introspective sound, in contrast with the sweet, overtone-rich texture of the sitar, with sympathetic strings that give it a resonant ...
A medieval instrument, labeled nagaveena (snake veena), is a type of musical scraper. Chigggjha – fire tong with brass jingles; Chengila – metal disc; Eltathalam; Gegvrer – brass vessel; Ghaynti – Northern Indian bell; Ghatam and Matkam (Earthenware pot drum) Ghunyugroo; Khartal or Chiplya; Manjira or jhanj or taal; Nut – clay pot ...
Related instruments include the medieval Iranian rubab, the rubab of Afghanistan, Pakistan and Northern India, the Indian sarod, sursingar and kamaica, the Nepali-Tibetan-Bhutanese tungana, the Pamiri rubab and the Uyghur rawap. The family of instruments blended Persian and Indian cultures, and has been played by Hindus, Buddhists and Muslims.
A Sitar - Sarod Jugalbandi. A jugalbandi or jugalbandhi is a performance in Indian classical music, especially in Hindustani classical music but also in Carnatic, that features a duet of two solo musicians. [1] [2] The word jugalbandi means, literally, "entwined twins." The duet can be either vocal or instrumental.
Sharan Rani (also known as Sharan Rani Backliwal, née Mathur) (9 April 1929 – 8 April 2008) was an Indian classical sarod player and music scholar. [1] [2]Her private collection of 379 musical instruments ranging from the 15th to the 19th century is now part of the "Sharan Rani Backliwal Gallery of Musical Instruments" at the National Museum, New Delhi.
This chapter discusses several modern instruments like Vichitra Veena, Rudra Veena, Sarod, Dilruba, Santoor, Sitar etc. The Tenth chapter contains a discussion on availability and evolution of the content for instruments. The Eleventh chapter examines the genre of folk-music and evaluates the role of folk-instruments.
Vadya (Sanskrit: वाद्य, vādya), also called vadyaka or atodya, is one of the three components of sangita (musical performance arts), and refers to "instrumental music" in the Indian traditions. [1] [5] [6] The other two components of sangita are gita (vocal music, song) and nritya (dance, movement).
Ustad Sakhawat Hussain Khan or Sakhawat Hussain (1877–1955) [1] was a virtuoso Indian sarod player, a contemporary of Hafiz Ali Khan and one of the major exponents of the instrument in the 20th century.