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Lester Green (born June 2, 1968), [2] better known as Beetlejuice, is an American comedian and actor. Green rose to prominence in 1999 due to his appearances on The Howard Stern Show, becoming a member of Stern's Wack Pack. He was named the greatest Wack Packer of all time in 2015. [3]
Beetlejuice opened theatrically in the United States on March 30, 1988, earning $8,030,897 its opening weekend, which at the time, was an Easter weekend record. The film eventually grossed $75.1 million worldwide. Beetlejuice was a financial success, [30] recouping its $15 million budget and becoming the 10th-highest-grossing film of 1988. [31 ...
Alongside Beetlejuice, Lydia journeys through the Afterlife to find her daughter, and Astrid gets out of her jam thanks to the “ghost with the most” as well as her beloved dead dad (Santiago ...
Jeffrey Duncan Jones (born September 28, 1946) is an American actor, known for his roles as Emperor Joseph II in Amadeus (1984), Edward R. Rooney in Ferris Bueller's Day Off (1986), Charles Deetz in Beetlejuice (1988), Dr. Skip Tyler in The Hunt for Red October (1990), Eddie Barzoon in The Devil's Advocate (1997), and A.W. Merrick in both Deadwood (2004–2006) and Deadwood: The Movie (2019).
Read more:'Honestly, I was terrified': Winona Ryder on returning with 'Beetlejuice Beetlejuice' Another eye-catching turn-of-the-century-inspired frock is Astrid’s take on Marie Curie for Halloween.
The sequel “Beetlejuice Beetlejuice” (★★½ out of four; rated PG-13; in theaters Friday) boasts a big heart and fleeting moments of inspired fun, often featuring Keaton’s moldy-faced menace.
A millennia-old demon named Beetlejuice appears and mocks the idea of living life to the fullest, as it will all be worthless once death comes ("The Whole 'Being Dead' Thing"). Beetlejuice then addresses the audience directly, explaining that, as a demon, he is invisible to all living beings unless he gets a living person to say his name three ...
Beetlejuice 1 had an exciting, surreal strangeness, thanks to the originality of Burton’s perverse Gothic humor and the unsettling performance by a manic, growling Michael Keaton, made up to ...