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Les préludes ("Preludes" or "The Beginnings"), S.97, is the third of Franz Liszt's thirteen symphonic poems. The music was composed between 1845 and 1854, and began as an overture to Liszt's choral cycle Les quatre élémens (The Four Elements), then revised as a stand-alone concert overture, with a new title referring to a poem by Alphonse de ...
Program music is a term applied to any musical composition on the classical music tradition in which the piece is designed according to some preconceived narrative, or is designed to evoke a specific idea and atmosphere.
Debussy dated this prelude December 27, 1909, a day after he wrote Les collines d'Anacapri. [5] Critical music writer Victor Lederer states how the dates Debussy wrote at the top of some of his preludes are more likely the date he completed the pieces rather than the day he started writing them, given that some of them were quite long and musically complex. [6]
La fille aux cheveux de lin (French: [la fij o ʃəvø də lɛ̃]) is a musical composition for solo piano by French composer Claude Debussy.It is the eighth piece in the composer's first book of Préludes, written between late 1909 and early 1910.
For an overview of such resources used by Bach, see individual composition articles, and overviews in, e.g., Chorale cantata (Bach)#Bach's chorale cantatas, List of chorale harmonisations by Johann Sebastian Bach#Chorale harmonisations in various collections and List of organ compositions by Johann Sebastian Bach#Chorale Preludes. 10 BD
Les collines d'Anacapri" (The Hills of Anacapri) is a musical composition for solo piano by French composer Claude Debussy. It is the fifth piece in Debussy's first book of Préludes . Composed in 1909, it was inspired by the town of Anacapri , on the island of Capri in the Gulf of Naples , which the composer never visited, [ 1 ] despite some ...
The meaning and lyrics behind the popular end-of-year song. ... After all, what is the meaning of "Auld Lang Syne"? "Auld Lang Syne" has its origins in the Scottish language, which explains why so ...
Pentatonic scale in Debussy's "Voiles", Préludes, Book I, no. 2, mm. 43–45. [5] If interpreting the movement in light of "veils", the eerie, mysterious mood of the A section sounds veiled. The clearer, more open sound of the B section generates an impression that the veil is removed, but returns for the A′ section.