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In 1969, Mannette was awarded the Hummingbird Medal (Silver) of Trinidad and Tobago for his innovations in pan making. For more than 30 years, he was at the forefront of the steelband movement in the United States; in recognition of his contributions to the art form, he received a 1999 National Heritage Fellowship from the National Endowment for the Arts, [11] which is the United States ...
Robert Greenidge (born 28 April 1950 in Success Village, Laventille, Trinidad) is a steelpan player. He is a member of popular music singer Jimmy Buffett's Coral Reefer Band and the instrumental group Club Trini.
Bandleader Björn Wagner played in funk group The Mocambos and lived in Trinidad and Tobago for a time, where he studied steel drums and had one custom made. [1] The group released its first 7" single, consisting of two covers of songs by The Meters, in 2007.
Songs for Beginners is the debut solo studio album by English singer-songwriter Graham Nash.Released in May 1971, it was one of four high-profile albums (all charting within the top fifteen) released by each member of Crosby, Stills, Nash & Young in the wake of their chart-topping Déjà Vu album of 1970, along with After the Gold Rush (Neil Young, September 1970), Stephen Stills (Stephen ...
The modern pan is a chromatically pitched percussion instrument made from 200-litre industrial drums. [4]Drum refers to the steel drum containers from which the pans are made; the steel drum is more correctly called a steel pan or pan as it falls into the idiophone family of instruments, and so is not a drum (which is a membranophone).
Ralph Anthony MacDonald (March 15, 1944 – December 18, 2011) [1] was an American percussionist, steelpan virtuoso, songwriter, musical arranger, and record producer.. His compositions include "Where Is the Love", a Grammy Award winner for the duet of Roberta Flack and Donny Hathaway; "Just the Two of Us", recorded by Bill Withers and Grover Washington Jr.; and "Mister Magic" recorded by ...
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The Nothing's Shocking version is the most widely known version of the song, featuring steel drums that are not present on the cut from the self-titled album. A true live version appears on the band's 1997 new/live/out-take compilation Kettle Whistle. It is one of Jane's Addiction's most famous songs and frequently ends their concerts.