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The Cajun accordion is generally defined as a single-row diatonic accordion, as compared to multiple-row instruments commonly used in Irish, Italian, polka, and other styles of music. The Cajun accordion has four reed ranks , i.e., four reeds for each melody button, and each reed bank is controlled by a corresponding stop or knob on the top of ...
This is a list of notable Cajun musicians, ... accordion [1] Bois Sec Ardoin; Breaux ... Harry Oster, LSU folklorist, recorded in the 1950s; Ann Savoy, guitarist ...
This style draws from Texas country music and moves away from the traditional accordion sound. It has more of a swing style popularized by Bob Wills and the Texas Playboys. Instead of being dominated by the accordion, Cajun swing relies significantly on the fiddle and piano with a swinging tempo. Bands in the 1940s began using the steel guitar ...
The return of the accordion contrasted with the popular Cajun recorded output of the late 1930s and 1940s, a time during which fiddles and Western Swing sounds from Texas were influencing Cajun music. The return of the accordion to prominence is referred to as a Cajun music renaissance, i.e. a return to the roots and rebirth in Cajun pride in ...
Sidney Brown (October 28, 1906 – August 6, 1981) [1] [2] was a Cajun accordion builder and accordion player. In the 1950s, he recorded with his band, Sidney Brown and the Traveler Playboys. He would eventually be recognized as the first person to build Cajun accordions after World War II in Louisiana. [3]
In the late 19th century, affordable accordions were introduced into Louisiana and were adopted by both Cajun and Creole musicians. Cajun and Creole musical styles at this time grew in parallel: mostly two-steps and waltzes meant for dancing, played by accordion and fiddle. [2] Joe Falcon's last accordion, a pre-WWII German "Eagle" brand