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During the 1930s, Irene Lentz designed the film wardrobe for leading ladies such as Constance Bennett, Hedy Lamarr, Joan Bennett, Claudette Colbert, Carole Lombard, Ingrid Bergman, and Loretta Young among others. She "is generally regarded as the originator of the dressmaker suit" [1] that was popular in the late 1930s.
Her time as a Warner Bros. contract player during the 1930s was particularly productive. She was noted for her supporting work in successful films of the 1930s and 1940s such as Baby Face , Jezebel (1938) and Scarlet Street (1945) and her leading roles in lower-budgeted B movie films such as the Ellery Queen series at Columbia in the early 1940s.
Jean Harlow (born Harlean Harlow Carpenter; March 3, 1911 – June 7, 1937) was an American actress.Known for her portrayal of "bad girl" characters, she was the leading sex symbol of the early 1930s and one of the defining figures of the pre-Code era of American cinema. [1]
Image credits: Old-time Photos To learn more about the fascinating world of photography from the past, we got in touch with Ed Padmore, founder of Vintage Photo Lab.Ed was kind enough to have a ...
Eleanor Torrey Powell (November 21, 1912 – February 11, 1982) was an American dancer and actress. Best remembered for her tap dance numbers in musical films in the 1930s and 1940s, she was one of Metro-Goldwyn-Mayer's top dancing stars during the Golden Age of Hollywood.
Lotte Herrlich (1883–1956) was a German photographer. She is regarded as the most important female photographer of the German naturism.This mainly was during the 1920s, in which the Freikörperkultur (Free Body Culture) was popular within Germany, before the Nazi Party assumed power (1930s), promptly prohibiting it.
Image credits: Photoglob Zürich "The product name Kodachrome resurfaced in the 1930s with a three-color chromogenic process, a variant that we still use today," Osterman continues.
Ashcroft maintained her leading place in British theatre for the next 50 years. Always attracted by the ideals of permanent theatrical ensembles, she did much of her work for the Old Vic in the early 1930s, John Gielgud 's companies in the 1930s and 1940s, the Shakespeare Memorial Theatre and its successor the Royal Shakespeare Company from the ...