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Berenice Abbott (1898–1991), black and white photography of New York's architecture in the 1930s, part of the straight photography movement; Esther Henderson Abbott (1911–2008), first woman photographer for Arizona Highways Magazine; Harriet Chalmers Adams (1875–1937), explorer whose expedition photographs were published in National ...
Image credits: Old-time Photos To learn more about the fascinating world of photography from the past, we got in touch with Ed Padmore, founder of Vintage Photo Lab.Ed was kind enough to have a ...
During the 1930s, Irene Lentz designed the film wardrobe for leading ladies such as Constance Bennett, Hedy Lamarr, Joan Bennett, Claudette Colbert, Carole Lombard, Ingrid Bergman, and Loretta Young among others. She "is generally regarded as the originator of the dressmaker suit" [1] that was popular in the late 1930s.
Image credits: Photoglob Zürich "The product name Kodachrome resurfaced in the 1930s with a three-color chromogenic process, a variant that we still use today," Osterman continues.
During this period, the Companion competed with Ladies' Home Journal, McCalls and Pictorial Review. By the 1930s, it led by a small margin with a circulation of 3,000,000 in 1938. [3] Despite the high circulation advertising revenue declined for a while during the Great Depression but had begun to recover by 1939. [3]
Eleanor Torrey Powell (November 21, 1912 – February 11, 1982) was an American dancer and actress. Best remembered for her tap dance numbers in musical films in the 1930s and 1940s, she was one of Metro-Goldwyn-Mayer's top dancing stars during the Golden Age of Hollywood.
Her time as a Warner Bros. contract player during the 1930s was particularly productive. She was noted for her supporting work in successful films of the 1930s and 1940s such as Baby Face , Jezebel (1938) and Scarlet Street (1945) and her leading roles in lower-budgeted B movie films such as the Ellery Queen series at Columbia in the early 1940s.
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