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This movement is characterised by the use of developing variation. A brooding theme introduced by the cellos from bars 1 to 12, with a counter-melody in the bassoons, begins the second movement. A second theme, marked L'istesso tempo, ma grazioso, appears in bar 33. After a brief development section, the recapitulation of the first theme (the ...
Like the second movement, the third movement is in ternary form. It is composed of the 2 4 Allegretto and contrasting 6 8 trio section, followed by a reprise of the Allegretto material and coda. A notable aspect of this movement is Brahms's careful attention to symmetry. The form could be described as: A B A 1 B 1 C D C 1 D 1 A 2 – trio – A ...
Just before the end of the piece, in the coda of the finale, Brahms quotes a passage that really is by Haydn. In measures 463–464, the violas and cellos echo the cello line from measure 148 of the second movement of the latter's "Clock" Symphony, one of the finest examples of Haydn's pioneering work in the symphonic variation form.
During Brahms' lifetime, the string quartet, like the symphony, was a genre dominated by the compositions of Ludwig van Beethoven.Brahms had remarked of Beethoven in 1872, a year before finishing his first quartets, "You can't have any idea what it's like always to hear such a giant marching behind you!"
The Symphony No. 4 in E minor, Op. 98 by Johannes Brahms is the last of his symphonies. Brahms began working on the piece in Mürzzuschlag, then in the Austro-Hungarian Empire, in 1884, just a year after completing his Symphony No. 3. Brahms conducted the Court Orchestra in Meiningen, Germany, for the work's premiere on 25 October 1885.
The New York Philharmonic concert of April 6, 1962, is widely regarded as one of the most controversial in the orchestra's history. Featuring a performance by Glenn Gould of the First Piano Concerto of Johannes Brahms, conducted by its music director, Leonard Bernstein, the concert became famous because of Bernstein's remarks from the podium prior to the concerto.
The second movement sets a short line, Lamentations 3:41, a request to turn to God, in the KJV "Let us lift up our heart with our hands unto God in the heavens." The third movement uses James 5:11 , which is a commentary on the book of Job, recalling his patience and calling those happy who endure (KJV: "Behold, we count them happy which endure.
There are also a number of references to works from the Western canon of music, notably the first movement of Beethoven's fifth symphony (some rather subdued compared with the original) and a rescoring of part of Brahms's first symphony, as well as a passage (in the first and last movements) from the F minor three-part invention of Johann ...