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It is scored in various sections: a) Prelude. Whirlwind - b) Start of the Storm - c) Prayer - d) Alarm at Sea - d) Great Storm - e) General Alert - f) Calm (Andantino cantabile) – g) Finale (Theme, 2 Variations and Coda). Violin and Piano reduction by Daniele Zanettovich - World modern première - video on YouTube: 1828: 53: E pur amabile [2 ...
Philip Wilby – Paganini Variations for both wind band and brass band; August Wilhelmj – Paganini Concerto in D major (recomposed paraphrase of the first movement of the Op. 6 Concerto) for violin and orchestra; Eugène Ysaÿe – Paganini Variations for violin and piano; The Caprice No. 24 in A minor, Op. 1, (Tema con variazioni) has been ...
Brahms intended the work to be more than simply a set of theme and variations; each variation also has the characteristic of a study. He published it as Studies for Pianoforte: Variations on a Theme of Paganini. The work was dedicated to the piano virtuoso Carl Tausig. It is well known for its harmonic depth and extreme physical difficulty.
Moretti and Sorrento refers to a thematic catalogue of the works of Niccolò Paganini. The catalogue was commissioned in 1982 by the city of Genoa in celebration of the bicentenary of Paganini's birth. [1] It was edited by Maria Rosa Moretti and Anna Sorrento, hence the abbreviation "MS" is assigned to Paganini's catalogued works. [1]
Variations on a Theme by Paganini (Polish: Wariacje na temat Paganiniego), often referred to as the Paganini Variations, is an arrangement for two pianos of Niccolò Paganini's Caprice No. 24, from Paganini's original set of 24 Caprices for violin, written by Polish composer Witold Lutosławski. The arrangement, originally composed in 1941, was ...
Born in Genoa, Mompellio began his studies in music in his youth; studying the piano privately with R. Lifschitz in his native city. [1] He studied music composition at the Conservatorio di Musica Niccolò Paganini in his native city with Mario Barbieri before graduating from the Parma Conservatory with degrees in piano performance in 1926 and in music composition in 1928.
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The Grandes études de Paganini, S. 141, are a series of six études for the piano by Franz Liszt, revised in 1851 from an earlier version (published as Études d'exécution transcendante d'après Paganini, S. 140, in 1838). It is almost exclusively in the final version that these pieces are played today.