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Apron: The front area of the stage, nearest the audience; the portion of the stage in front of proscenium arch. [2] Aside: A line spoken by an actor/actress directly to the audience, unheard by the other performers on-stage. [2] Assistant director: Works very closely with the director and with the cast. They will gather research on the ...
It also has superstitious meaning for the run of the play. GOTE: an acronym (Goal, Obstacle, Tactics and Expectation) used to remind actors of their most basic work in character development. Go up: an actor forgetting lines or business. Greenroom: area backstage where actors rest before/after a show or have visitors
Techniques that involve semantics and the choosing of words. Anglish: a writing using exclusively words of Germanic origin; Auto-antonym: a word that contains opposite meanings; Autogram: a sentence that provide an inventory of its own characters; Irony; Malapropism: incorrect usage of a word by substituting a similar-sounding word with ...
A number of theatre companies, such as Seattle Children’s Theatre, Imagination Stage, and the Minneapolis Children’s Theatre Company, have been working to create and produce plays and musicals for young audiences that are more intelligent and diverse. [5] Recent work has explored themes that include parental abuse (e.g.
Punch, 25 February 1914.The cartoon is a pun on the word "Jamaica", which pronunciation [dʒəˈmeɪkə] is a homonym to the clipped form of "Did you make her?". [1] [2]A pun, also known as a paronomasia in the context of linguistics, is a form of word play that exploits multiple meanings of a term, or of similar-sounding words, for an intended humorous or rhetorical effect. [3]
Some expressions are deemed inappropriate and offensive in today's context. Like a Dragon While slang is usually inappropriate for formal settings, this assortment includes well-known expressions from that time, with some still in use today, e.g., blind date, cutie-pie, freebie, and take the ball and run. [2]
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The Wall Street Journal described it as "No set, no props, just four actors in evening dress seated on stools placed behind music stands, reading Shaw's words out loud." Brooks Atkinson in the New York Times called it "a mighty and moving occasion, not only a performance but an intellectual crusade."