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Vestments in different liturgical colours. Liturgical colours are specific colours used for vestments and hangings within the context of Christian liturgy.The symbolism of violet, blue, white, green, red, gold, black, rose, and other colours may serve to underline moods appropriate to a season of the liturgical year or may highlight a special occasion.
The original version of the painting had a country landscape in the background, which was removed in a later replica, as it was deemed "non-liturgical". The Hyła rendition is also called the "Kraków Divine Mercy Image" because it is kept in the sanctuary at Kraków-Łagiewniki at the Divine Mercy Sanctuary, Kraków. Many artistic renditions ...
This tradition can trace its origin to the Byzantine Empire, from circa 500 AD, where blue was "the color of an empress". A more practical explanation for the use of this color is that in Medieval and Renaissance Europe, the blue pigment was derived from the rock lapis lazuli, a stone imported from Afghanistan of greater value than gold. Beyond ...
A new altar was installed, and some pews were removed from the back of the church so a larger gathering space could be created inside the church. The walls were painted a light blue color, and some fresco highlights from the original design were painted along the walls and ceiling. The basement was also completely refurbished during this time.
In Byzantine art, color was used to convey spiritual and emotional meaning. Raphael's use of color in the "Transfiguration of Jesus" reflects this tradition, as he employs vivid hues to symbolize the divine light that surrounds Christ during his transfiguration. The brilliant white of Christ's robes, the golden-yellow of his halo, and the ...
Original file (3,598 × 3,745 pixels, file size: 3.62 MB, MIME type: image/jpeg) This is a file from the Wikimedia Commons . Information from its description page there is shown below.
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The Madonna of humility by Domenico di Bartolo 1433 has been described as one of the most innovative devotional images from the early Renaissance [35]. Catholic Marian art has expressed a wide range of theological topics that relate to Mary, often in ways that are far from obvious, and whose meaning can only be recovered by detailed scholarly analysis.