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In art, vellum was used for paintings, especially if they needed to be sent long distances, before canvas became widely used in about 1500, and continued to be used for drawings, and watercolours. Old master prints were sometimes printed on vellum, especially for presentation copies, until at least the seventeenth century.
Parchment craft at that time occurred principally in Catholic communities, where crafts persons created lace-like items such as devotional pictures and communion cards. The craft developed over time, with new techniques and refinements being added. Until the 16th century, parchment craft was a European art form.
Purple parchment or purple vellum refers to parchment dyed purple; codex purpureus refers to manuscripts written entirely or mostly on such parchment. The lettering may be in gold or silver. The lettering may be in gold or silver.
Vellum is a finer quality parchment made from the skins of young animals such as lambs and young calves. The generic term animal membrane is sometimes used by libraries and museums that wish to avoid distinguishing between parchment and vellum.
Parchment (vellum) was a common way to produce manuscripts. [13] Manuscripts eventually transitioned to using paper in later centuries with the diffusion of paper making in the Islamic empire. When Muslims encountered paper in Central Asia, its use and production spread to Iran, Iraq, Syria, Egypt, and North Africa during the 8th century.
A Georgian palimpsest from the 5th or 6th century. The word palimpsest derives from Latin palimpsestus, which derives from παλίμψηστος, palímpsēstos [4] (from Ancient Greek πάλιν (pálin) 'again' and ψάω (psáō) 'scrape'), a compound word that describes the process: "The original writing was scraped and washed off, the surface resmoothed, and the new literary material ...
The medieval art of the ... Amiatinus—the first step necessary was to plan to breed the cattle to supply the 1,600 calves to give the skin for the vellum ...
The Ambrosian Iliad or Ilias Picta (Milan, Biblioteca Ambrosiana, Cod. F. 205 Inf.) is a 5th-century illuminated manuscript on vellum, which depicts the entirety of Homer's Iliad, including battle scenes and noble scenes. It is considered unique due to being the only set of ancient illustrations that depict scenes from the Iliad.