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Guadalajara" is a well-known mariachi song written and composed by Pepe Guízar in 1937. [1] [2] Guízar wrote the song in honor of his hometown, the city of the same name and state capital of the Mexican state of Jalisco.
Mariachi (US: / ˌ m ɑːr i ˈ ɑː tʃ i /, UK: / ˌ m ær-/, Spanish: [maˈɾjatʃi]) is an ensemble of musicians that typically play ranchera, the regional Mexican music dating back to at least the 18th century, evolving over time in the countryside of various regions of western Mexico. [1]
José L. Hernández (born 27 August 1958) is a Mexican mariachi musician.. Hernández is the youngest of eight children (Esteban and Maria Eva Hernández, parents). He is the founder of Mariachi Sol de Mexico and also Mariachi Reyna de Los Angeles, [1] America's first all-female professional mariachi ensemble.
Steve Carrillo is a founding member, and current director, of Mariachi Cobre, a band that can frequently be found performing the Mexican music genre mariachi within EPCOT’s Mexico pavilion ...
Las Canciones de mi Padre also is the only recording production in the world that used the three best Mariachi bands in the world: Mariachi Vargas, Mariachi Los Camperos and Mariachi Los Galleros de Pedro Rey. As of 2012, Canciones de Mi Padre had sold nearly 10 million copies worldwide.
The term "son" is given to a category of Mexican folk music covering various styles that vary by region. However, these styles share several common rhythms, lyrics and dance characteristics. [1] The music is a mix of Spanish, African and Indigenous elements, which mingled at least as far back as the 18th century. [1]
Son jalisciense is a variety of Mexican son music from which modern mariachi music is derived. This son also relied on the same basic instruments, rhythms and melodies as the sones of Veracruz and other locations, using the same string instruments.
The song is a typical ranchera, with mariachi choruses and lyrics dealing with life in a traditional Mexican ranch.The American arrangement of the song was copyrighted as a "rumba", [10] a term largely used in the US to denote Americanized Afro-Cuban and Latin ballroom music According to the book The Course of Mexican Music,