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Exercises in Style (French: Exercices de style), written by Raymond Queneau, is a collection of 99 retellings of the same story, each in a different style.In each, the narrator gets on the "S" bus (now no. 84), witnesses an altercation between a man (a zazou) with a long neck and funny hat and another passenger, and then sees the same person two hours later at the Gare St-Lazare getting advice ...
The easiest stylistic device to identify is a simile, signaled by the use of the words "like" or "as".A simile is a comparison used to attract the reader's attention and describe something in descriptive terms.
A figure of speech or rhetorical figure is a word or phrase that intentionally deviates from straightforward language use or literal meaning to produce a rhetorical or intensified effect (emotionally, aesthetically, intellectually, etc.). [1] [2] In the distinction between literal and figurative language, figures of
Articles relating to figures of speech, words or phrases that entail an intentional deviation from ordinary language use in order to produce a rhetorical effect. [ 1 ] Contents
The Smiling Angel (French: L'Ange au Sourire), also known as the Smile of Reims (Le Sourire de Reims) or Angel of the Annunciation, is a stone sculpture at the cathedral of Reims. Sculptors that were pioneers of the Gothic style came from workshops in Chartres, Paris and Amiens to work on the Reims Cathedral. [ 1 ]
Bourgot and Jean Le Noir's style closely followed the works of Jean Pucelle, but their art deviated into "a more sturdy expressionism," while still "delicious and delicate." [ 1 ] This influence is shown by the decorative, colorful backgrounds, the images around the margins, and the shades of gray used in the paintings ( grisaille ) all point ...
The Fall of the House of Usher (1928), directed by Jean Epstein. French impressionist cinema (also known as first avant-garde or narrative avant-garde) refers to a group of French films and filmmakers of the 1920s.
In rhetoric, litotes (/ l aɪ ˈ t oʊ t iː z, ˈ l aɪ t ə t iː z /, US: / ˈ l ɪ t ə t iː z /), [1] also known classically as antenantiosis or moderatour, is a figure of speech and form of irony in which understatement is used to emphasize a point by stating a negative to further affirm a positive, often incorporating double negatives for effect.