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Tove Jansson’s 1972 novel “The Summer Book” wasn’t a memoir, but it was a memory piece of sorts — its slender narrative of largely unspoken grief and healing imbued with, and enriched by ...
The term originally derives from the early fourteenth century sense of trade (in late Middle English) still often meaning "path" or "track". [2] The Portuguese recognized the importance of the trade winds (then the volta do mar, meaning in Portuguese "turn of the sea" but also "return from the sea") in navigation in both the north and south Atlantic Ocean as early as the 15th century. [3]
The trade winds (also called trades) are the prevailing pattern of easterly surface winds found in the tropics near the Earth's equator, [4] equatorward of the subtropical ridge. These winds blow predominantly from the northeast in the Northern Hemisphere and from the southeast in the Southern Hemisphere. [5]
It is a wonderfully humane and gentle book." [3] The New York Review of Books writes that Jansson's characters, the girl and her grandmother, "discuss things that matter to young and old alike: life, death, the nature of God and of love." [4] The novelist Philip Pullman described the book as "a marvelous, beautiful, wise novel, which is also ...
'The Summer Book' Review: Glenn Close Takes a Healing, Very Hygge Holiday 'Joy' Review: Thomasin McKenzie and Bill Nighy Fight the System to Pioneer IVF in a Crowd-Pleasing Medical Biopic.
Volta do mar" manoeuvre during Henry the Navigator's (c.1430-1460) lifetime: Atlantic winds (green), currents (blue) and approximate Portuguese sailing routes (red): the further south ships went, the wider off sailing required to return. Note that the boundary between the westerlies and the trade winds moves north in summer and south in winter.
Author George R.R. Martin has dropped a few hints on how he’s coming with his new novel, The Winds of Winter, the sixth in the A Song of Ice and Fire saga that formed the basis of HBO’s Game ...
Inglewood Jam, also known as Bird and Chet and Live at the Trade Winds, is a live album by jazz saxophonist Charlie Parker, recorded in California in 1952 with trumpet player Chet Baker and Sonny Criss. It was released by the Jazz Showcase label in 1978.