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In instrumental music, a style of playing that imitates the way the human voice might express the music, with a measured tempo and flexible legato. cantilena a vocal melody or instrumental passage in a smooth, lyrical style canto Chorus; choral; chant cantus mensuratus or cantus figuratus (Lat.) Meaning respectively "measured song" or "figured ...
In music theory, prolongation is the process in tonal music through which a pitch, interval, or consonant triad is considered to govern spans of music when not physically sounding. It is a central principle in the music-analytic methodology of Schenkerian analysis , conceived by Austrian theorist Heinrich Schenker . [ 1 ]
In Western music and music theory, augmentation (from Late Latin augmentare, to increase) is the lengthening of a note or the widening of an interval. Augmentation is a compositional device where a melody, theme or motif is presented in longer note-values than were previously used. Augmentation is also the term for the proportional lengthening ...
Off-key is musical content that is not at the expected frequency or pitch period, either with respect to some absolute reference frequency, or in a ratiometric sense (i.e. through removal of exactly one degree of freedom, such as the frequency of a keynote), or pitch intervals not well-defined in the ratio of small whole numbers.
Definition Lacuna: gap: A silent pause in a piece of music Ossia: from o ("or") + sia ("that it be") A secondary passage of music which may be played in place of the original Ostinato: stubborn, obstinate: A repeated motif or phrase in a piece of music Pensato: thought out: A composed imaginary note Ritornello: little return
Once a recording is mastered, the master recording can be used to make copies. Another meaning is "master volume", a fader on a mixing board that boosts or cuts the volume of the entire mix. measure. The period of a musical piece that encompasses a complete cycle of the time signature, e.g. in 4/4 time, a measure has four quarter-note beats ...
The omnibus progression in music is a chord progression characterized by chromatic lines moving in opposite directions. [1] The progression has its origins in the various Baroque harmonizations of the descending chromatic fourth in the bass ostinato pattern of passacaglia, known as the "lament bass". [2]
Ties are normally placed opposite the stem direction of the notes, unless there are two or more voices simultaneously. [ 3 ] The tie shown at the top right connects a quarter note (crotchet) to a sixteenth note (semiquaver), creating a note 5 ⁄ 4 as long as a quarter note, or five times as long as a sixteenth note—there is no single note ...