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Designs can be pictorial or abstract, based on historic Navajo, Spanish, Asian, or Persian designs. 20th century Navajo weavers include Clara Sherman and Hosteen Klah, who co-founded the Wheelwright Museum of the American Indian.
Plains hide painting is a traditional North American Plains Indian artistic practice of painting on either tanned or raw animal hides. Tipis , tipi liners, shields, parfleches , robes, clothing, drums, and winter counts could all be painted.
Seminole patchwork, referred to by Seminole and Miccosukee women as Taweekaache (design in the Mikasuki language), [1] is a patchwork style made from piecing colorful strips of fabric in horizontal bands. [2] Seminole patchwork garments are often trimmed with a rickrack border.
Native American activists fought to strengthen protections against fraud which resulted in the 1990 Indian Arts and Crafts Act (IACA), which makes it "illegal to offer or display for sale, or sell, any art or craft product in a manner that falsely suggests it is Indian produced, an Indian product, or the product of a particular Indian or Indian ...
Evan M. Maurer, "Determining Quality in Native American Art" in The Arts of the North American Indian: Native Traditions in Evolution, ed. Paul Anbinder, New York: Philbrook Art Center, 1986. Marian E. Rodee, Old Navajo Rugs: Their Development from 1900 to 1940, Albuquerque: University of New Mexico Press, 1983.
Painting of a Choctaw woman by George Catlin. Indigenous peoples of the Southeastern Woodlands, Southeastern cultures, or Southeast Indians are an ethnographic classification for Native Americans who have traditionally inhabited the area now part of the Southeastern United States and the northeastern border of Mexico, that share common cultural traits.
Totem poles, a type of Northwest Coast art. Northwest Coast art is the term commonly applied to a style of art created primarily by artists from Tlingit, Haida, Heiltsuk, Nuxalk, Tsimshian, Kwakwaka'wakw, Nuu-chah-nulth and other First Nations and Native American tribes of the Northwest Coast of North America, from pre-European-contact times up to the present.
An example is a 1930s vase in the collection of the Smithsonian Institution's National Museum of the American Indian in Washington, D.C. [18] Her work is distinguished by the shapes of the pottery and the designs.