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"Bam Bam" is a 1982 song by Jamaican dancehall recording artist Sister Nancy. The song's chorus was inspired by the 1966 song of the same name, by The Maytals and Byron Lee and the Dragonaires. [1] The song's instrumental samples the 1974 song "Stalag 17", by Ansell Collins, a well known riddim, alternatively known as a backing track used ...
Dancehall music, also called ragga, is a style of Jamaican popular music that had its genesis in the political turbulence of the late 1970s and became Jamaica's dominant music in the 1980s and '90s. It was also originally called Bashment music when Jamaican dancehalls began to gain popularity.
Ophlin Russell (born on 2 January 1962), better known as Sister Nancy (or Muma Nancy), is a Jamaican dancehall DJ and singer. She is known as the first female dancehall DJ and was described as being a "dominating female voice for over two decades" on the dancehall scene.
"Mr. Loverman" is a song by Jamaican dancehall artist Shabba Ranks, released in 1992 and 1993 as a single by Epic Records. [1] It reached number 40 on the US Billboard Hot 100 and number three on the UK Singles Chart, as well as becoming a top-20 hit in France, Germany and Ireland. The song was written by Ranks, Mikey Bennett and Hopeton Lindon.
Welcome to Jamrock is the third studio album by Jamaican reggae/dancehall artist Damian "Jr. Gong" Marley.The album was released on September 12, 2005, in the United Kingdom, and one day later in the United States.
"Murder She Wrote" is a song by Jamaican reggae duo Chaka Demus & Pliers, from their 1993 album Tease Me. It was first released as a single in 1992 and again in late 1993 by Mango and Taxi Records, reaching number 27 on the UK Singles Chart in early 1994, [3] and number 57 on the US Billboard Hot 100, spending 17 weeks there.
Tanto Metro (born Mark Wolfe in Kingston, Jamaica) acquired his stage name from working on the Metromedia sound system. [1] He moved on to become part of Patrick Roberts' Shocking Vibes organization and released the solo album Ratings in 1995 which featured guest appearances from Beenie Man and Dean Fraser.
Among other opportunities for street dancing and parties, Passa Passa was also the location for the queering of the masculine Jamaican identity. In the late 1990s and early 2000s, many Dancehall/Reggae songs started to espouse homophobic rhetoric, such as T.O.K.’s “Chi Chi Man,” while male dance crews were beginning to explode in ...