Search results
Results From The WOW.Com Content Network
Bandhani is a type of tie-dye textile decorated by plucking the cloth with the fingernails into many tiny bindings that form a figurative design. [1] Today, most Bandhani making centers are situated in Gujarat , [ 2 ] Rajasthan , [ 1 ] Sindh , Punjab region [ 3 ] and in Tamil Nadu where it is known as Sungudi .
Bandhni or bandhno is a tie and dye technique art on a cloth, it is believed that bandhani art originated from Sindh. Bandhani art of Sindh is as old as the block printing art of Sindh, both arts were practiced in Indus valley civilization. Bandhani is traditionally used for making skirts, long wide veils and Sarees. Lār region and thar desert ...
Khandua (Also Maniabandi or Kataki) is a traditional "bandha" or ikat sari produced from Odisha [1] [2] [3] [4] [5] worn by women during wedding [6] [7] and a special ...
An intricate weave of Pasapali Sari Pasapali motif, made by the technique of knotting by Designer Mr. Binoy Munda & Mr. Vikram Kumar. Pasapali sari also known as Saktapar is a Bandha handloom sari weaved mainly in the Bargarh district of Odisha, India. The name Pasapali is derived from pasā or gambling games using Chess board.
Sindhi women traditionally wore different styles, fabrics and embroideries of Sindhi Cholo/Choli with Soossi Shalwars or Pajamo under bandhani, Sossi, printed or satin made Skirt and a long veil (Rao, Gandhi, Poti), today Sindhi women most commonly wear the Sindhi Salwar and Cholo with a long and wide veil having Sindhi embroideries called bhart.
Baluchari saree - Mahabharat motif showing the Pandavas marrying Draupadi. [10] Baluchari saris, locally called Baluchori saris, today often have depictions from scenes of Mahabharat and Ramayana. During the Mughal and British eras, they had a square design in the pallu with paisley motifs in them. They depicted scenes from the lives of the ...
Sambalpuri saris are known for their incorporation of traditional motifs like shankha (Conch), chakra (wheel), phula (flower), all of which have deep symbolism with the native Odia culture. The colours red, black and white represents Lord Kaalia (Jagannatha)'s face colour.
The weaving culture of Chanderi emerged between the 2nd and 7th centuries. It is situated on the boundary of two cultural regions of the state, Malwa and Bundelkhand.The people of the Vindhyachal Ranges have a wide range of traditions.