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Siete Canciones populares Españolas ("Seven Spanish Folksongs") is a 1914 set of traditional Spanish songs arranged for soprano and piano by the composer Manuel de Falla. Besides being Falla's most-arranged composition and one of his most popular, it is one of the most frequently performed sets of Spanish-language art songs. The Godebski family
In Spain, music has a long history. It has played an important role in the development of Western music, and has greatly influenced Latin American music. Spanish music is often associated with traditional styles such as flamenco and classical guitar. While these forms of music are common, there are many different traditional musical and dance ...
The choreography is quite simple: on its more frequent setting two male dancers face each other, dancing and tap-dancing one at a time, showing which has the most lightness and repertoire of feet changes in the tap-dancing. The dancers can be boy and girl, boy and boy (most frequent) or, rarely, two girls.
Dancing sevillanas. Sevillanas (Spanish pronunciation: [seβiˈʝanas]) are a type of folk music and dance of Sevilla and its region. They were derived from the Seguidilla, an old Castilian folk music and dance genre. In the nineteenth century they were influenced by Flamenco. They have a relatively limited musical pattern but are rich in ...
Aragonese jota dancers. The jota (pronounced [1]) is a genre of music and the associated dance known throughout Spain, most likely originating in Aragon.It varies by region, having a characteristic form in Aragon (where it is the most important [1]), Mallorca, Catalonia, León, Castile, Navarre, Cantabria, Asturias, Galicia, La Rioja, Murcia and Eastern Andalusia.
A woman dancing folklórico in the traditional dress of Jalisco. In the state of Jalisco, its Jarabe Tapatio, or "hat dance", while the son and El baile de los sonajeros are famous dances which accompany the mariachi; one of the most popular songs is "El Son de la Negra" (1940). The state of Guerrero is known for its sintesis and tixtla.
"El Vito" is a traditional folk song and dance music of Andalusia whose origins can be traced back to the 16th century. [1] Its name refers to Saint Vitus, patron of dancers. [2] It was created in the nineteenth century as a dancing song typical of the bolero. It includes steps in the art of bullfighting [3] and is usually played by women. The ...
It is based on the rhythm and structure of the traditional Spanish bolero. Trythall imagined the four percussionists as four dancers, intertwining their solos, duets, and trios with moments of group ensemble work in the same way a choreographer might have done. John Serry Sr. composed his African Bolero for accordion and flute in 1950.