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This category contains typefaces in the old style serif classification, including both Venetian and Garalde varieties. These faces date back to 1465 and are reminiscent of the humanist calligraphy. This is not for any "old" typeface, such as old English or Fraktur. For that, please see Category:Blackletter typefaces.
An old-style font normally has a left-inclining curve axis with weight stress at about 8 and 2 o'clock; serifs are almost always bracketed (they have curves connecting the serif to the stroke); head serifs are often angled. [14] Old-style faces evolved over time, showing increasing abstraction from what would now be considered handwriting and ...
Example 1 Example 2 Example 3 Adobe Jenson Designer: Robert Slimbach Class: Old style : ... Class: Old style : Zilla Slab Class: Slab serif : Additional serif typefaces.
Caslon's slightly bracketed serifs and old-style irregularity were not novel, but a precise cut and perpendicularity gave legibility to the forms. Caslon's italic structures follow the Fell italics, but at a condensed width and with conventional branching from stems. William Caslon's prodigious output was influential worldwide.
The following is a list of typefaces designed by Frederic Goudy.. Goudy was one of America's most prolific designers of metal type. He worked under the influence of the Arts and Crafts movement, and many of his designs are old-style serif designs inspired by the relatively organic structure of typefaces created between the fifteenth and eighteenth centuries, following the lead of earlier ...
Old Style, later referred to as modernised old style, was the name given to a series of serif typefaces cut from the mid-nineteenth century and sold by the type foundry Miller & Richard, of Edinburgh in Scotland. It was a standard typeface in Britain for literary and prestigious printing in the second half of the nineteenth century and the ...
Geometric designs have no bracketing and evenly weighted stems and serifs. Early examples include Memphis, Rockwell, Karnak, Beton, Rosmini, City and Tower, several of which were influenced by geometric sans-serifs of the 1920s and 30s, especially Futura. [3] Recent well-known geometric sans-serifs include ITC Lubalin, Neutraface Slab and Archer.
Kennerley is an example of the revival of 'old style' fonts that began to displace Didone type for much general use around the end of the nineteenth century. [ 46 ] Frederic Goudy , an Arts and Crafts movement-inspired printer turned type designer, had similar reservations about the lettering style.