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For the latter use, the terms electromagnetic vibrations [5] or magnetic vibrations, [6] focusing on the structural phenomenon are less ambiguous. Acoustic noise and vibrations due to electromagnetic forces can be seen as the reciprocal of microphonics , which describes how a mechanical vibration or acoustic noise can induce an undesired ...
The varying air pressure of sound waves imparts mechanical vibrations to the diaphragm which can then be converted to some other type of signal; examples of this type of diaphragm are found in microphones and the human eardrum. Conversely a diaphragm vibrated by a source of energy beats against the air, creating sound waves.
Pitch is perceived as how "low" or "high" a sound is and represents the cyclic, repetitive nature of the vibrations that make up sound. For simple sounds, pitch relates to the frequency of the slowest vibration in the sound (called the fundamental harmonic). In the case of complex sounds, pitch perception can vary.
There is little evidence that these vibrations, sensed by tactile nerves, make any significant contribution to the external sound. [6] These same forced vibrations, however, may serve as sensation guides for the singer, regardless of their effect on the external sound. These sensations may provide evidence to the singer that their vocal folds ...
The neural encoding of sound is the representation of auditory sensation and perception in the nervous system. [1] The complexities of contemporary neuroscience are continually redefined. Thus what is known of the auditory system has been continually changing.
Sound recording and reproduction is the electrical, mechanical, electronic, or digital inscription and re-creation of sound waves, such as spoken voice, singing, instrumental music, or sound effects. The two main classes of sound recording technology are analog recording and digital recording .
Output of a computer model of underwater acoustic propagation in a simplified ocean environment. A seafloor map produced by multibeam sonar. Underwater acoustics (also known as hydroacoustics) is the study of the propagation of sound in water and the interaction of the mechanical waves that constitute sound with the water, its contents and its boundaries.
The second volume came out in 1972, the year he died. This book was a written and photographic documentation of the effects of sound vibrations on fluids, powders and liquid paste. He concluded, "This is not an unregulated chaos; it is a dynamic but ordered pattern."