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Kamayani (Hindi : कामायनी) (1936) is a Hindi epic poem by Jaishankar Prasad (1889–1937). It is considered one of the greatest literary works written in modern times in Hindi literature. It also signifies the epitome of Chhayavadi school of Hindi poetry which gained popularity in the late 19th and early 20th centuries. [1]
This poem was written by Sankardeva just after learning the Swarabarnas and the Byanjanbarnas. [3] Any vowel sound (except অ, i.e. o) following a consonant sound in a word in Assamese is denoted by a swarasihna, but it goes that since Sankardeva had not learnt them by the time of writing Karatala Kamala, the poem contains no swarasihnas. [4]
The poem's essential message is that pride in worldly success is foolish, because human circumstances can change in a flash, material wealth and splendor is always transient, and death is the only certainty for all men. [2] The poem quickly captured the popular imagination, and achieved fame in the Indian subcontinent that has lasted for over ...
Doha is a very old "verse-format" of Indian poetry.It is an independent verse, a couplet, the meaning of which is complete in itself. [1] As regards its origin, Hermann Jacobi had suggested that the origin of doha can be traced to the Greek Hexametre, that it is an amalgam of two hexametres in one line.
Hasya Kavita is humorous comic poetry in Hindi. It is particularly famous due to Hindi Kavi sammelans and TV shows. [17] [18] [19] Bal kavita is children's rhymes in Hindi. [20] Many attempts have been made to document Hindi poetry. Some of the most comprehensive online collections for Hindi poetry include Kavitakosh [21] and Kavita. [22]
"In The Bazaars of Hyderabad" is a poem by Indian Romanticism and Lyric poet Sarojini Naidu (1879–1949). The work was composed and published in her anthology The Bird of Time (1912)—which included "Bangle-sellers" and "The Bird of Time", it is Naidu's second publication and most strongly nationalist book of poems, published from both London and New York City.
Nazeer Akbarabadi (born Wali Muhammad; 1735 – 1830) was an 18th-century Indian poet known as "Father of Nazm", who wrote Urdu ghazals and nazms under the pen name "Nazeer", most remembered for his poems like Banjaranama (Chronicle of the Nomad), a satire.
Sarfaroshi Ki Tamanna is an Urdu patriotic poem written by Bismil Azimabadi as a dedication to young freedom fighters of the Indian independence movement. [1] This poem was popularized by Ram Prasad Bismil. When Ram Prasad Bismil was put on the gallows, the opening lines of this ghazal were on his lips. [2]