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This is a list of new-age music artists with articles on Wikipedia. New-age music is broadly defined as relaxing, even "meditative", music that is primarily instrumental. Unlike relaxing forms of classical music, new-age music makes greater use of electronica and non-Western instrumentation.
New-age is a genre of music intended to create artistic inspiration, relaxation, and optimism.It is used by listeners for yoga, massage, meditation, [1] and reading as a method of stress management [2] to bring about a state of ecstasy rather than trance, [3] [4] or to create a peaceful atmosphere in homes or other environments.
Meditation music is music performed to aid in the practice of meditation.It can have a specific religious content, but also more recently has been associated with modern composers who use meditation techniques in their process of composition, or who compose such music with no particular religious group as a focus.
Jeanne Baxtresser (born August 2, 1947) is an American flutist and teacher. She is most notable for her position as principal flutist of the New York Philharmonic for over 15 years, she decided to play the flute when she was only nine years old, as an author (Orchestral Excerpts for Flute with Piano Accompaniment), and as a professor and master teacher.
Andante in C major for Flute and Orchestra, K. 315 (1778) Carl Maria von Weber: Romanza siciliana for flute and orchestra in G minor, J. 47 (1805) [3] Camille Saint-Saëns: Romance for flute and orchestra in D-flat major, Op. 37 (1871) Odelette for flute and orchestra in D major, Op. 162 (1920) [4]
The Concerto for Piano and String Orchestra is a piano concerto composed by Alfred Schnittke in 1979, and premiered in Leningrad that year. The unconventional work is in a single movement with contrasting sections. [1] It is one of Schnittke's most often performed works. [2] It is also known as Schnittke's Piano Concerto. [3] [a]
A flute concerto is a concerto for solo flute and instrumental ensemble, customarily the orchestra. Such works have been written from the Baroque period, when the solo concerto form was first developed, up through the present day.
It was originally written for flute and piano, but Chaminade later arranged it for flute and orchestra. The piece remains a standard and popular part of the flute repertoire. [1] For example, it was voted #85 in a 2012 survey of the best French classical music by the Australian radio station ABC Classic FM. It also remains one of Chaminade's ...