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That is the genius of The RZA." [ 19 ] In 2012, Rolling Stone magazine ranked the song number 11 on its list of The 50 Greatest Hip-Hop Songs of All Time, writing "Part of Wu-Tang's greatness was their messy, multitudinous sprawl, but the best song on their debut is ruthlessly efficient: just two breathless verses, plus the catchiest acronym in ...
"Cream" is a song by American singer-songwriter Prince and his backing band the New Power Generation, released in September 1991 by Paisley Park and Warner as the second single from Prince's 13th studio album, Diamonds and Pearls (1991). In a 2004 MTV special, Prince joked that he wrote the song while looking at himself in the mirror.
"White Room" is a song by British rock band Cream, composed by bassist Jack Bruce with lyrics by poet Pete Brown. [2] They recorded it for the studio half of the 1968 double album Wheels of Fire . In September, a shorter US single edit (without the third verse) was released for AM radio stations, [ 3 ] although album-oriented FM radio stations ...
"Badge" is a song written by Eric Clapton and George Harrison, [4] and recorded by British rock music group Cream on their final album, Goodbye. Also issued as a single in March 1969, "Badge" peaked at number 18 in the UK Singles Chart [ 5 ] and number 60 on the US Billboard Hot 100 chart.
The song was recorded during the sessions for Cream's third album, Wheels of Fire. [1] However, it was released on The Savage Seven soundtrack album [ 2 ] and as a single instead. Backed with "Pressed Rat and Warthog", [ 3 ] it reached number 64 on the American Billboard Hot 100 in May 1968 and number 40 on the UK Singles Chart in June 1968.
"I Feel Free" is a song first recorded by the British rock band Cream. The lyrics were written by Pete Brown, with the music by Jack Bruce.The song showcases the band's musical diversity, effectively combining blues rock with psychedelic pop.
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Upon release, Cash Box called it a "driving, frenetic, medium-paced rock venture." [7] Over in England, Melody Maker wrote it had "a sighing, wistful vocal and a deep resonant backing with Clapton bending and snaking out" although it concluded "maybe not the strongest song they could have put out and we think people expected a more unique idea from the Cream this time."