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This is an accepted version of this page This is the latest accepted revision, reviewed on 5 February 2025. American child prodigy (1898–1944) William James Sidis Sidis at his Harvard graduation (1914) Born (1898-04-01) April 1, 1898 Boston, Massachusetts, U.S. Died July 17, 1944 (1944-07-17) (aged 46) Boston, Massachusetts, U.S. Other names John W. Shattuck Frank Folupa Parker Greene Jacob ...
In his work De la causa, principio et uno (On Cause, Principle, and Unity), Bruno articulated his belief in the unity of the universe and the presence of a single, universal spirit. This spirit, akin to the world soul, ensures the cohesion and harmony of the cosmos, reflecting the Hermetic principle of the interconnectedness of all things.
The idea of a universal education was essential to achieving polymath ability, hence the word university was used to describe a seat of learning. However, the original Latin word universitas refers in general to "a number of persons associated into one body, a society, company, community, guild, corporation , etc". [ 12 ]
Winged genius facing a woman with a tambourine and mirror, from southern Italy, about 320 BC. In Roman religion, the genius (Latin: [ˈɡɛnɪ.ʊs]; pl.: genii) is the individual instance of a general divine nature that is present in every individual person, place, or thing. [1]
Benatar posits that there are multiple types of meaning, ranging from the cosmic to the terrestrial perspectives. Terrestrial meaning is obtainable (by having importance to family or community, for example), but there is no cosmic meaning to human existence. He argues that the world is more bad than good, but most people don't recognize it as such.
Poetic justice describes an obligation of the dramatic poet, along with philosophers and priests, to see that their work promotes moral behavior. [10] 18th-century French dramatic style honored that obligation with the use of hamartia as a vice to be punished [10] [11] Phèdre, Racine's adaptation of Euripides' Hippolytus, is an example of French Neoclassical use of hamartia as a means of ...
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The following is a summary of this view. When in August 1791 Mozart arrived in Prague to supervise the performance of his new opera La clemenza di Tito (K. 621), he was "already very ill". [2] During this visit, Niemetschek wrote, "he was pale and expression was sad, although his good humour was often shown in merry jest with his friends."