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The comedy and tragedy masks are a pair of masks, one crying and one laughing, that have widely come to represent the performing arts. Originating in the theatre of ancient Greece , the masks were said to help audience members far from the stage to understand what emotions the characters were feeling.
The sock and buskin, like the comedy and tragedy masks, are associated with two Greek Muses, Melpomene and Thalia.Melpomene, the Muse of tragedy, is often depicted wearing buskins and holding the mask of tragedy, while Thalia, the Muse of comedy, is often depicted wearing the comic's socks and holding the mask of comedy.
Date/Time Thumbnail Dimensions User Comment; current: 16:54, 3 January 2017: 400 × 360 (14 KB): The Anome: Artwork as before, now scaled and adjusted to balance both masks evenly within image
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Pulling-down Masks (Chinese: ζ―θ) The actor can pull down a mask which has previously been hidden on top of their head, changing their face to red, green, blue or black to express happiness, hate, anger or sadness, respectively. Face-dragging (Chinese: ζΉθ)
Attempts have been made in modern times to investigate the use of masks in Athenian tragedy through practice research. [8] These explorations conclude that masks may lead to a more demonstrative style of acting, with declamatory delivery of the lines substituted for intimacy. They also found that the mask could impede the projection of sound.
The masks are endowed with mysterious religious and cultural meanings, both in Nuoji and Nuo theatre performances. People in Nuo culture circles, who regard the masks as symbols and carriers of gods, observe various rules and conventions. For instance, the ceremony of enshrining a Buddha statue is held before making the masks; before using them ...