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Sousa holding a copy of the sheet music for his march "The Invincible Eagle" John Philip Sousa was an American composer and conductor of the late Romantic era known primarily for American military marches. [1] He composed 136 marches from 1873 until his death in 1932.
John Philip Sousa. This is a list of compositions by John Philip Sousa. By genre. Sources: [1] [2] ... Music of the Minute (1922) The Merry-Merry Chorus (1923)
Sousa's birthplace on G St., S.E. in Washington, D.C. John Philip Sousa was born in Washington, D.C., the third of 10 children of João António de Sousa (John Anthony Sousa) (September 22, 1824 – April 27, 1892), who was born in Spain to Portuguese parents, and his wife Maria Elisabeth Trinkhaus (May 20, 1826 – August 25, 1908), who was German and from Bavaria.
"The Stars and Stripes Forever" is a patriotic American march written and composed by John Philip Sousa in 1896. By a 1987 act of the U.S. Congress , it is the official National March of the United States of America .
El Capitan is an operetta in three acts by John Philip Sousa and has a libretto by Charles Klein (with lyrics by Charles Klein and Tom Frost). The piece was Sousa's first successful operetta and his most successful stage work. The march "El Capitan" became a standard work both for symphonic/wind bands and a crossover into other genres.
John Philip Sousa: The operetta is mostly derived from Sousa's previous operettas like The Smugglers and The Wolf. Author Paul E. Bierley attributes to The Bride Elect the "misfortune of falling in the wake of the highly successful El Capitan". Sousa's later march of the same title was more successful than the operetta. Hyperion Theater, New Haven
"The Washington Post" (often called "The Washington Post March") is a march composed by John Philip Sousa in 1889. Since then, it has remained as one of his most popular marches throughout the United States and many other countries.
"Semper Fidelis", written in 1888 by John Philip Sousa, is regarded as the official march of the United States Marine Corps. This piece was one of two composed in response to a request from United States President Chester A. Arthur for a new piece to be associated with the United States President.