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A step outline (also informally called a beat sheet or scene-by-scene [1]) is a detailed telling of a story with the intention of turning the story into a screenplay for a motion picture. The step outline briefly details every scene of the screenplay's story, and often has indications for dialogue and character interactions.
Though a spec script is usually a wholly original work, it can also be an adaptation. In television writing, a spec script is a sample teleplay written to demonstrate the writer's knowledge of a show and ability to imitate its style and conventions. It is submitted to the show's producers in hopes of being hired to write future episodes of the ...
In film and television, a script breakdown is an analysis of a screenplay in which all of the production elements are reduced into lists. Within these lists are, in essence, the foundation of creating a production board, which is fundamental in creating a production schedule and production budget of an entire production of any film or television program in pre-production. [1]
A scriptment borrows characteristics from both a regular screenplay and a film treatment and is comparable to a step outline: the main text body is similar to an elaborate draft treatment, while usually only major sequences receive scene location headings (), which is different from the extensive slug line formatting in standard screenplays, where every new scene or shot begins with an INT./EXT.
Movie Outline is a word processing program developed by Nuvotech Limited. It is used to step outline a cinematic story and format a screenplay. It was created by Dan Bronzite, an English screenwriter. It was released in 2004 as an outliner with more features added in later releases.
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According to current Writers Guild of America guidelines, a television script consists of two distinct parts: "story" and "teleplay". The story comprises "basic narrative, idea, theme or outline indicating character development and action", while the teleplay consists of "individual scenes and full dialogue or monologue (including narration in connection therewith), and camera set-ups, if ...
Screenwriting historian Steven Maras notes that these early writers were often understood as being the authors of the films as shown, and argues that they could not be precisely equated with present-day screenwriters because they were responsible for a technical product, a brief "scenario", "treatment", or "synopsis" that is a written synopsis ...