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The “stages of advancement” noted refer to the book's emphasis on double-stop training in first through fifth position. By the time students complete the book, they should be well prepared for double-stop scales, études, and repertoire. Developing Double Stops is divided into seven sections. The first four sections develop sixths, thirds ...
Double stops are commonly used in marching percussion writing. In the case of the snare, a double stop is when a drummer hits the drum with both hands at the same time, while the tenors hit 2 drums at once. These are usually notated with either single note or a stacked note. A double stop will have the letter B written under the note for sticking.
A double stop consists of two single strokes played simultaneously, one on each hand. It differs from a flam or charge stroke in that there is no space between the notes and both hands fall exactly at the same time. This is not considered an American rudiment on any common list, but is a staple of several European systems. [85]
The double harmonic major scale [1] is a musical scale with a flattened second and sixth degree. This scale is enharmonic to the Mayamalavagowla raga, Bhairav raga, Byzantine scale, Arabic scale (Hijaz Kar), [1] [2] and Gypsy major scale. [3] It can be likened to a gypsy scale because of the diminished step between the 1st and 2nd degrees.
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3rd position (or "double cross harp" or "slant harp"): Dorian mode. Playing the harmonica a full tone above its intended key. This gives a dorian scale between 4 draw and 8 draw, though once again bends and overblows give players a variety of options. Blues players can achieve a tritone by bending the 6 draw.
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In contrast, in the chord-scale system, a different scale is used for each chord in the progression (for example mixolydian scales on A, E, and D for chords A 7, E 7, and D 7, respectively). [5] Improvisation approaches may be mixed, such as using "the blues approach" for a section of a progression and using the chord-scale system for the rest. [6]