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Anti-war films typically argue that war is futile, unjust, a loss for all involved, only serves to benefit few in society (usually an elite or ruling class, or the state), makes people do or support things they normally would not (such as homicide or discrimination), is extremely costly both in money and lives, or is otherwise undesirable for those fighting it, the target audience, or everyone ...
Anti-war films about the Iraq War (5 P) D. ... Pages in category "Iraq War films" The following 65 pages are in this category, out of 65 total.
Pages in category "Anti-war films about the Iraq War" The following 5 pages are in this category, out of 5 total. This list may not reflect recent changes. A.
We Are Many is a documentary film about the February 2003 global day of protest against the Iraq War, directed by Amir Amirani. Social movement researchers have described the 15 February protest as "the largest protest event in human history." Tony Blair's ally Lord Falconer says the anti-war march did change things:
Uncovered: The War on Iraq (2004) Voices of Iraq (2004) War Feels Like War (2004) War with Iraq: Stories from the Front (2004) We Iraqis (2004) Alpha Company: Iraq Diary (2005) American Soldiers (2005) Confronting Iraq: Conflict and Hope (2005) [2] The Dreams of Sparrows (2005) Gunner Palace (2005) In the Shadow of the Palms (2005) Iraqi War ...
While it may not be the greatest war film or even the best sci-fi one, Starship Troopers is a lot of guns-blazing fun and worth checking out for an action-packed movie night. — R.E. Where to ...
Green Zone is seen as a political film, [38] [39] portraying the CIA in Iraq as the good guys and the Pentagon and the White House as the bad guys. [40] Film critic A. O. Scott wrote in The New York Times that "the inevitable huffing and puffing about this movie's supposedly left-wing or 'anti-American' agenda has already begun". [40]
Fahrenheit 9/11 is a 2004 American documentary film directed and written by, and starring filmmaker, director, political commentator and activist Michael Moore. [2] The subjects of the film are the presidency of George W. Bush, the Iraq War, and the media's coverage of the war.