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Poems are created out of poetic devices via a composite of: structural, grammatical, rhythmic, metrical, verbal, and visual elements. [1] They are essential tools that a poet uses to create rhythm, enhance a poem's meaning, or intensify a mood or feeling.
Metre (or meter): the basic rhythmic structure of a verse or lines in verse. Metres are influenced by syllables and their "weight" Metrical foot (aka poetic foot): the basic repeating rhythmic unit that forms part of a line of verse in most Indo-European traditions of poetry; Prosody: the principles of metrical structure in poetry
Poetry is a physical manifestation of the internal human creative impulse. A form of literature – literature is composition, that is, written or oral work such as books, stories, and poems. Fine art – in Western European academic traditions, fine art is art developed primarily for aesthetics, distinguishing it from applied art that also has ...
Poetry analysis is the process of investigating the form of a poem, content, structural semiotics, and history in an informed way, with the aim of heightening one's own and others' understanding and appreciation of the work. [1] The words poem and poetry derive from the Greek poiēma (to make) and poieo (to create).
Among major structural elements used in poetry are the line, the stanza or verse paragraph, and larger combinations of stanzas or lines such as cantos. Also sometimes used are broader visual presentations of words and calligraphy .
Old English metre is the conventional name given to the poetic metre in which English language poetry was composed in the Anglo-Saxon period. The best-known example of poetry composed in this verse form is Beowulf, but the vast majority of Old English poetry belongs to the same tradition.
Rhythmical language in poetry is one of the ways we can see the tendency of poems towards a high degree of organization — there tends to be far more emphasis on rhythm in poetry than in prose. Verse, a specialized form of rhythm in language, is one of the elements that, when related to other elements in a poem, combines to form poetry.
A partial definition, then, of organic poetry might be that it is a method of apperception, i.e., of recognizing what we perceive, and is based on an intuition of an order, a form beyond forms, in which forms partake, and of which man’s creative works are analogies, resemblances, natural allegories. Such poetry is exploratory.