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"Ginny Come Lately" is a song written by Peter Udell and Gary Geld and performed by Brian Hyland. [1] In 1962, the track reached #5 on the UK Singles Chart and #21 on the Billboard Hot 100. [2] It was featured on his 1962 album, Sealed with a Kiss. [3]
Another 1962 hit was "Ginny Come Lately", which reached No. 21 on the U.S. chart and No. 5 in the UK. [6] Hyland's 1962 Top 30 hit "Warmed-Over Kisses (Leftover Love)" incorporated elements of country music ; he continued in that crossover vein with singles including "I May Not Live to See Tomorrow" and "I'm Afraid to Go Home" and on the 1964 ...
"867-5309/Jenny" is a song written by Alex Call and Jim Keller and performed by Keller's band Tommy Tutone. It was released on the album Tommy Tutone 2 (1981) through Columbia Records . It peaked at number four on the Billboard Hot 100 and number one on the Rock Top Tracks chart in April 1982.
Johnny Come Lately is a 1943 drama film directed by William K. Howard starring James Cagney, Grace George, Marjorie Main and Hattie McDaniel. It was the first film produced by Cagney's brother, William Cagney. The title is derived from the idiom "Johnny Come Lately", which refers to a newcomer who seeks to change an established system. [3]
"Jenny" is a song by American power pop band the Click Five. It was released on April 10, 2007, as the first single from their second studio album Modern Minds and Pastimes. The song was written by Ben Romans with Jez Ashurst of UK band Farrah and Chris Braide, while production was handled by Mike Denneen. [3] The original demo was sung by ...
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Shudder has acquired the rights to “The Rule of Jenny Pen,” a thriller about a stroke-ridden judge trying to stop an elderly psychopath that stars Oscar-nominee John Lithgow and Oscar-winner ...
Copperhead Road is the third studio album by Steve Earle, released in 1988.The album is often referred to as Earle's first "rock record"; Earle himself calls it the world's first blend of heavy metal and bluegrass, and the January 26, 1989 review of the album by Rolling Stone suggested that the style be called "power twang".