Search results
Results From The WOW.Com Content Network
The Miserere is one of Josquin's two "motto" motets, motets in which repetitions of a phrase are the predominant structural feature (the other is the five-voice Salve Regina of several years before). In the Miserere , the opening words of the first verse "Miserere mei, Deus", sung to a simple repeated-note motif containing only two pitches (E ...
Settings of individual penitential psalms have been written by many composers. Well-known settings of the Miserere (Psalm 50/51) include those by Gregorio Allegri and Josquin des Prez; yet another is by Bach. Settings of the De profundis (Psalm 129/130) include two in the Renaissance by Josquin. [citation needed]
Psalm 51, one of the penitential psalms, [1] is the 51st psalm of the Book of Psalms, beginning in English in the King James Version: "Have mercy upon me, O God".In the slightly different numbering system used in the Greek Septuagint and Latin Vulgate translations of the Bible, this psalm is Psalm 50.
Miserere (Latin imperative of misereor 'have mercy' or 'have pity') may refer to: Psalm 51 , referred to as "Miserere" because of its opening words, "Miserere mei, Deus" Music
Magnificat quarti toni (attributed to Josquin on stylistic grounds) Magnificat tertii toni (attributed to Josquin on stylistic grounds) Memor esto verbi tui; Miserere mei Deus (Ferrara, 1503) Misericordias Domini in aeternum cantabo (France, 1480/83) Missus est Gabriel angelus ad Mariam Virginem; Mittit ad virginem; Monstra te esse matrem
Josquin Lebloitte dit des Prez (c. 1450–1455 – 27 August 1521) was a composer of High Renaissance music, who is variously described as French or Franco-Flemish.. Considered one of the greatest composers of the Renaissance, he was a central figure of the Franco-Flemish School and had a profound influence on the music of 16th-century
Discover the latest breaking news in the U.S. and around the world — politics, weather, entertainment, lifestyle, finance, sports and much more.
Josquin des Prez's famous setting of the Miserere, written in Ferrara around 1503-1504, is an example of this, [5] with its structure mirroring Savonarola's meditation, imitating its simplicity and phrasing, and including a refrain of "Miserere mei deus" after each verse, just as in Savonarola's meditation.