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The process of manufacturing blackout was invented by Baltimore-based Rockland Industries, [2] and involves coating a fabric with layers of foam, or 'passes'. A '2-pass' blackout is produced by applying two passes of foam to a fabric – first, a black layer is applied to the fabric, then a white or light-colored layer is applied on top of the black.
They can be rigged with an operating line, which is motorised or pulled manually. The rear stage wall may be obscured by a traveler, if a cyclorama or projection screen is not in place. Tabs, also known as up-and-downers (UK) or Germans, are drapes hung perpendicular to the proscenium and at the sides, used to more completely mask the wings ...
Duvetyne, or duvetyn, [1] [2] (also known as Molton and Rokel [3] [4]) is a twill fabric with a velvet-like nap on one side. Duvetyne has a matte finish and its high opacity makes it ideal for blocking light. It may be woven from cotton, wool, or—in rare cases, mainly in the early 20th century—silk.
A wipe curtain, named after the film editing technique called a wipe, is a single large curtain that is rigged in a manner similar to traveler curtains. Unlike travelers, which consist of two curtains that part at center stage, a wipe opens from the left or right side of the proscenium and travels horizontally across the entire stage.
A blackout curtain used in Auckland, New Zealand during World War II. Lights can simply be turned off or light can sometimes be minimized by tarring the windows of large public structures. In World War II, a dark blackout curtain was used to keep the light inside. Tarring the windows can mean a semi-permanent blackout status.
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