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Anne-Louis Girodet de Roussy-Trioson, Ossian receiving the Ghosts of the French Heroes (1800–02), Musée national de Malmaison et Bois-Préau, Château de Malmaison. In the visual arts, Romanticism first showed itself in landscape painting, where from as early as the 1760s British artists began to turn to wilder landscapes and storms, and Gothic architecture, even if they had to make do with ...
Romantic music is a stylistic movement in Western Classical music associated with the period of the 19th century commonly referred to as the Romantic era (or Romantic period). It is closely related to the broader concept of Romanticism —the intellectual, artistic, and literary movement that became prominent in Western culture from about 1798 ...
However, Romanticism has had a lasting impact on Western civilization, and many works of art, music, and literature that embody the Romantic ideals have been made after the end of the Romantic Era. The movement's advocacy for nature appreciation is cited as an influence for current nature conservation efforts.
Portrait of Caspar David Friedrich, Gerhard von Kügelgen c. 1810–1820. Caspar David Friedrich (German: [ˌkaspaʁ ˌdaːvɪt ˈfʁiːdʁɪç] ⓘ; 5 September 1774 – 7 May 1840) was a German Romantic landscape painter, generally considered the most important German artist of his generation, whose often symbolic, and anti-classical work, conveys a subjective, emotional response to the ...
Wanderer above the Sea of Fog [a] is a painting by German Romanticist artist Caspar David Friedrich made in 1818. [2] It depicts a man standing upon a rocky precipice with his back to the viewer; he is gazing out on a landscape covered in a thick sea of fog through which other ridges, trees, and mountains pierce, which stretches out into the distance indefinitely.
In the United States the Romantic tradition of landscape painting was known as the Hudson River School: [27] exponents include Thomas Cole, Frederic Edwin Church, Albert Bierstadt, Thomas Moran, and John Frederick Kensett. Luminism was a movement in American landscape painting related to the Hudson River School.
Later romantic painting retained the romantic content, but was generally more precise and realistic in style, adapting to the demands of the French Academy. Important figures in later French romantic painting included the Swiss-born Charles Gleyre (1806–1874), who specialized in mythological and orientalist scenes.
who "inaugurated the romantic landscape", an initiator of the "cult" of the sublime landscape. [3]: 67 p. One of the earliest manifestations of the romantic movement to emerge in the early 18th century was the English landscape garden, and the paintings of Rosa, as well as Claude Lorrain and Nicolas Poussin were key inspirations and models. [16]