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The Story of Stuff has been subject to public discussion, especially after The New York Times published a front-page article about the video on May 10, 2009. [20] Even before The New York Times article, The Sustainable Enterprise Fieldbook pointed to The Story of Stuff as a successful portrayal of the problems with the consumption cycle, [21] and Greyson (2008) says it is an engaging attempt ...
Those acting as docents or guards also were responsible for the daily disposal of cage waste, feeding the performers, and escorting them to the bathroom on a leash. [ 5 ] Gómez-Peña and Fusco were outfitted in primitive costumes: designer sunglasses, a cheetah luchador mask, leather boots, face paint, long wigs, grass skirt, necklaces, a ...
The From Waste to Art Museum (Azerbaijani: “Tullantıdan sənətə” muzeyi) was established through the initiative of the Heydar Aliyev Foundation, located within the Gala State Historical Ethnographic Reserve, Baku, Azerbaijan. The museum was inaugurated on June 14, 2015.
Marina is included in the Bondi Story Room, [54] which is owned and managed by the Waverley Council. DeBris also partners or works with various anti-pollution organizations, such as Friends of Ballona Wetlands , [ 51 ] 5 Gyres , [ 55 ] RuckusRoots , [ 56 ] the United Nations Special Assembly on Climate Change [ 57 ] Heal the Bay [ 58 ] and ...
Waste Not (Chinese: 物尽其用; pinyin: Wù jìn qí yòng) is an exhibit by Chinese artist Song Dong that displays over 10,000 domestic objects formerly owned by his late mother, who refused to throw anything away if she could possibly reuse it. She had suffered poverty during China's turmoil in the 1950s and 1960s and had acquired a habit ...
In 1992, she testified in front of the US Congress on the topic of international waste trafficking. [3] The work of Greenpeace and other organizations led to the 1992 Basel Convention, an international treaty to protect less developed countries from the dumping of hazardous waste by transnational corporations based in developed countries. [5]
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Arman (November 17, 1928 – October 22, 2005) was a French and American artist. [1] Born Armand Fernandez in Nice, France, Arman was a painter who moved from using objects for the ink or paint traces they leave (cachets, allures d'objet) to using them as the artworks themselves.