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Biblical Songs was written between 5 and 26 March 1894, while Dvořák was living in New York City. It has been suggested that he was prompted to write them by news of a death (of his father Frantisek, or of the composers Tchaikovsky or Gounod, or of the conductor Hans von Bülow); but there is no good evidence for that, and the most likely explanation is that he felt out of place in the ...
In music, the Psalms chord is the opening chord of Igor Stravinsky's Symphony of Psalms. It is a "barking E minor triad" [1] that is voiced "like no E-minor triad that was ever known before" [2] – that is, in two highly separate groups, one in the top register and the other in the bottom register. The third of the E-minor triad, rather than ...
An example: Dieterich Buxtehude's O dulcis Jesu (BuxWV 83) in full score using tablature Keyboard tablature is a form of musical notation for keyboard instruments.Widely used in some parts of Europe from the 15th century, it co-existed with, and was eventually replaced by modern staff notation in the 18th century.
Psalm 148 is a composition for voice and piano by Leonard Bernstein, a setting of Psalm 148 in English dated 1935. The art song is the composer's earliest surviving work, influenced by the music at the synagogue where he worshiped. He adapted the psalm text to metered poetry, and composed the work in a traditional fashion.
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"On Eagle's Wings" is a devotional hymn composed by Michael Joncas.Its words are based on Psalm 91, [1] Book of Exodus 19, and Matthew 13. [2] Joncas wrote the piece in either 1976 [3] or 1979, [1] [4] after he and his friend, Douglas Hall, returned from a meal to learn that Hall's father had died of a heart attack. [5]
Sara Groves (born Sara Lee Colbaugh; September 10, 1972) is an American contemporary Christian singer, record producer, and author.. Groves received her Bachelor of Science degree in history and English in 1994 from Evangel University, a private Christian university in Springfield, Missouri.
The vi chord before the IV chord in this progression (creating I–vi–IV–V–I) is used as a means to prolong the tonic chord, as the vi or submediant chord is commonly used as a substitute for the tonic chord, and to ease the voice leading of the bass line: in a I–vi–IV–V–I progression (without any chordal inversions) the bass ...