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Crochet, embroidery, knitting, lace, quilting and felting are all commonly found in wearable art pieces. Crochet remained a homemaker's art until the late 1960s, as new artists began experimenting with free-handed crochet. This practice allowed artists to work in any shape and employ the use of colors freely, without the guidance of a pattern. [15]
This 19th-century book illustration copies a 12th-century English image of a man wearing a hooded tunic. The garment's style and form can be traced back to Medieval Europe when the preferred clothing for Catholic monks included a hood called a cowl attached to a tunic or robes, [6] [7] and a chaperon or hooded cape was very commonly worn by any outdoors worker.
Cable patterns tend to draw the fabric together, making it denser and less elastic; [11] Aran sweaters are a common form of knitted cabling. [12] Arbitrarily complex braid patterns can be done in cable knitting , with the proviso that the wales must move ever upwards; it is generally impossible for a wale to move up and then down the fabric.
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Navajo women further adapted the European designs, incorporating their own sense of beauty, "creating hózhó." [50] Paper sewing patterns for women to sew their own dresses started to be readily available in the 1860s, when the Butterick Publishing Company began to promote them. [51] These patterns were graded by size, which was a new ...
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The tailor Jean de Compiegne usually supplied her with silk thread for sewing and crochet, "soye à coudre et crochetz". [166] On 17 July 1567, she requested the services of an embroiderer to draw patterns for her, to "draw forth such work as she would be occupied about". [167]