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In this context, vernacular literature appeared during the Middle Ages at different periods in the various countries; the earliest European vernacular literatures are Irish literature (the earliest being Tochmarc Emire (10th century), transcribed from a lost manuscript of the 8th century), Welsh literature, English literature and Gothic ...
A 17th-century English Baroque school using extended conceit, often (though not always) about religion [18] [19] John Donne, George Herbert, Andrew Marvell: Cavalier Poets: 17th-century English Baroque royalist poets, writing primarily about courtly love, called Sons of Ben (after Ben Jonson) [20] Richard Lovelace, William Davenant: Euphuism
Many ancient books had neither word divisions nor chapter divisions. [1] In ancient Greek texts, some manuscripts began to add summaries and make them into tables of contents with numbers, but the titles did not appear in the text, only their numbers. Some time in the fifth century CE, the practice of dividing books into chapters began. [1]
Portrait of Samuel Richardson by Joseph Highmore. National Portrait Gallery, Westminster, England.. The English novel is an important part of English literature.This article mainly concerns novels, written in English, by novelists who were born or have spent a significant part of their lives in England, Scotland, Wales, or Northern Ireland (or any part of Ireland before 1922).
In the late 19th century Henry James was one of the first English language critics to use the term novella for a story that was longer and more complex than a short story, but shorter than a novel. [7] In English speaking countries the modern novella is rarely defined as a distinct literary genre, but is often used as a term for a short novel. [9]
The use of the word variety to refer to the different forms avoids the use of the term language, which many people associate only with the standard language, and the term dialect, which is often associated with non-standard language forms thought of as less prestigious or "proper" than the standard. [3]
Her novels, partly through their use of free indirect speech, are part of the development of individualism and individual consciousness, represented in the history of the novel through works by authors such as Samuel Richardson, whose "fascination with inner life" influenced Austen. [156]
Eugène Sue's serial novel Le Juif errant increased circulation of Le Constitutionnel from 3,600 to 25,000. Production in book form soon followed and serialisation was one of the main reasons that nineteenth-century novels were so long. Authors and publishers kept the story going if it was successful since authors were paid by line and by episode.