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"Over the Rainbow" (Arlen/Harburg) exemplifies the 20th-century popular 32-bar song. [1]The 32-bar form, also known as the AABA song form, American popular song form and the ballad form, is a song structure commonly found in Tin Pan Alley songs and other American popular music, especially in the first half of the 20th century.
There are conflicting explanations regarding the origins of the term "Tin Pan Alley". The most popular account holds that it was originally a derogatory reference made by Monroe H. Rosenfeld in the New York Herald to the collective sound made by many "cheap upright pianos" all playing different tunes being reminiscent of the banging of tin pans in an alleyway.
Music journalist Richie Unterberger commented on the adaptability of blues: "From its inception, the blues has always responded to developments in popular music as a whole: the use of guitar and piano in American folk and gospel, the percussive rhythms of jazz, the lyrics of Tin Pan Alley, and the widespread use of amplification and electric ...
From the late 19th century the term ballad began to be used for sentimental songs with their origins in the early ‘Tin Pan Alley’ music industry. [5] As new genres of music, including the blues, began to emerge in the early 20th century the popularity of the genre faded, but the association with sentimentality meant led to this being used as the term for a slow love song from the 1950s onward.
Many are originally Tin Pan Alley popular songs, Broadway show tunes or songs from Hollywood musicals – the Great American Songbook. [1] In Europe, jazz standards and " fake books " may even include some traditional folk songs (such as in Scandinavia) or pieces of a minority ethnic group's music (such as gypsy music ) that have been played ...
Verse–chorus form is a musical form going back to the 1840s, in such songs as "Oh! Susanna", "The Daring Young Man on the Flying Trapeze", and many others. [1] [2] It became passé in the early 1900s, with advent of the AABA (with verse) form in the Tin Pan Alley days.
The University of Illinois has likened its content to other Tin Pan Alley songs including Jean Schwartz's "Sahara (We'll Soon Be Dry like You)" and Albert von Tilzer's "I've got the Alcoholic Blues", [4] while America's Songs compared it to "You Don't Need the Wine to Have a Wonderful Time" written by Harry Akst and Howard E. Rogers for comedy ...
Classic pop includes the song output of the Broadway, Tin Pan Alley, and Hollywood show tune writers from approximately World War I to the 1950s, such as Irving Berlin, Frederick Loewe, Victor Herbert, Harry Warren, Harold Arlen, Jerome Kern, George Gershwin and Ira Gershwin, Richard Rodgers and Lorenz Hart, Oscar Hammerstein, Johnny Mercer, Dorothy Fields, Hoagy Carmichael, and Cole Porter.