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Tommy is the fourth studio album by the English rock band the Who, released on 19 May 1969. [2] Written primarily by guitarist Pete Townshend, Tommy is a double album and an early rock opera that tells the story of the fictional Tommy Walker and his path to becoming a spiritual leader and messianic figure.
Toggle Track listing subsection. 1.1 "Overture from Tommy" 1.2 "Prologue – 1945" ... Tommy is a soundtrack album by The Who with contributions from numerous artists.
Tommy: 1969 [1] "Tommy's Holiday Camp" Townshend (credited as Moon) Townshend Tommy: 1969 [1] "Too Much of Anything" Townshend Daltrey Odds & Sods: 1974 [37] "Trilby's Piano" Townshend Townshend Endless Wire: 2006 [7] "Trick of the Light" Entwistle Daltrey Who Are You: 1978 [3] "Trying to Get Through" Townshend Townshend Tommy (re-release) 2003 ...
They left Track in 1974 and returned to Polydor directly, [2] remaining with the label ever since. In North America, they were originally on Decca Records . They moved to Atco Records for one single in 1966 [ 1 ] before returning to Decca later that year.
Live at Leeds is the first live album by the English rock band the Who, recorded at the University of Leeds Refectory on 14 February 1970 and released on 11 May 1970, by Decca and MCA in the United States [2] and by Track and Polydor in the United Kingdom.
Track listing. All songs written by Pete Townshend except where noted. ... from Tommy, 1969; Producer: Kit Lambert "The Seeker" – 3:22 1970 single;
The opening lyrics to the next track, "Bargain" ("I'd gladly lose me to find you") came from a phrase used by Baba. [34] Entwistle wrote "My Wife" after having an argument with his wife, exaggerating the conflict in the lyrics. The track features several overdubbed brass instruments recorded in a single half-hour session. [37] "
The track list presents the original studio album almost exactly, with the only changes being it missing "Underture", and a slightly different order. [4] According to Daltrey "[the album is] played as a structured piece of music that is written and respected just as we respect the great composers of the past". [5]