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Landscape painting, also known as landscape art, is the depiction in painting of natural scenery such as mountains, valleys, rivers, trees, and forests, especially where the main subject is a wide view—with its elements arranged into a coherent composition. In other works, landscape backgrounds for figures can still form an important part of ...
California Spring (painting) Camel (in Rhythmic Landscape with Trees) Capriccio (art) Cass (painting) The Castle of Muiden in Winter; Cemetery, New Mexico (Marsden Hartley) The Channel of Gravelines, Petit Fort Philippe; Château en Espagne; Le Chemin, Paysage à Meudon; Chestnut Trees and Farm at Jas de Bouffan (Cézanne, Moscow)
Wanderer above the Sea of Fog [a] is a painting by German Romanticist artist Caspar David Friedrich made in 1818. [2] It depicts a man standing upon a rocky precipice with his back to the viewer; he is gazing out on a landscape covered in a thick sea of fog through which other ridges, trees, and mountains pierce, which stretches out into the distance indefinitely.
Shan shui painting is a kind of painting which goes against the common definition of what a painting is. Shan shui painting refutes color, light and shadow and personal brush work. Shan shui painting is not an open window for the viewer's eye, it is an object for the viewer's mind. Shan shui painting is more like a vehicle of philosophy. [6]
The depiction of winter landscapes in Western art begins in the 15th century, as does landscape painting in general. Wintry and snowy landscapes are very rarely seen in earlier European painting since most of the subjects were religious. Gold ground paintings had no painted backgrounds and other narrative scenes had highly stylized trees and ...
The painting seems to exude a rosy light that reaches out to the viewer as [one] bends forward to examine the surface", writes Gregg Hertzlieb, the former Brauer Museum director and curator. "The orange and rose light does appear in photographic reproduction but does not seem to have the depth, the complexity that one sees in the actual piece."