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  2. Glasschord - Wikipedia

    en.wikipedia.org/wiki/Glasschord

    The instrument was largely inspired by the glass harmonica created by Benjamin Franklin, [6] and was given the name glasschord by him. [7] On 6 July 1785, Thomas Jefferson that Franklin carried a version of the instrument with him, describing it as a sticcado .

  3. Miracle Piano Teaching System - Wikipedia

    en.wikipedia.org/wiki/Miracle_Piano_Teaching_System

    The Miracle system assesses the player's ability to create custom lessons. [4] Fun exercises were meant to make learning the piano seem less like a chore and more like playing a video game. Instead of using the traditional NES controller, the piano becomes the controller as players aim at targets in order to perfect their music skills.

  4. Bouncing with Bud (album) - Wikipedia

    en.wikipedia.org/wiki/Bouncing_with_Bud_(album)

    Bouncing with Bud, also known as In Copenhagen in later releases, [1] is a 1962 album by jazz pianist Bud Powell, recorded in Copenhagen for Sonet Records, Delmark, and Storyville with Niels-Henning Ørsted Pedersen on bass and William Schiopffe on drums.

  5. Group piano - Wikipedia

    en.wikipedia.org/wiki/Group_piano

    Hybrid piano lessons are any other combination of private and group piano lessons. This may include biweekly, monthly, or more occasional group meetings for students who are otherwise taking individual/private lessons. These types of lessons are often used as reinforcement of secondary or functional skills such as music history and music theory ...

  6. There's no escaping Philip Glass and his piano etudes right now

    www.aol.com/news/theres-no-escaping-philip-glass...

    In 1994, Philip Glass wrote six seemingly ordinary piano etudes for conductor and pianist Dennis Russell Davies on the occasion of his 50th birthday. Glass also wrote them for himself.

  7. Piano Concerto No. 2 (Glass) - Wikipedia

    en.wikipedia.org/wiki/Piano_Concerto_No._2_(Glass)

    The concerto finishes with piano solo, sadly playing low F minor chords. The final part of the work is, perhaps, its most important. Glass comments: "I wanted this final movement to reflect also the expanse of time - what the land was before the expedition and what it became after."