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The instrument was largely inspired by the glass harmonica created by Benjamin Franklin, [6] and was given the name glasschord by him. [7] On 6 July 1785, Thomas Jefferson that Franklin carried a version of the instrument with him, describing it as a sticcado .
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The Miracle Piano Teaching System is educational software which uses a MIDI keyboard to teach how to play the piano. [1] It was published in 1990 by The Software Toolworks for the Nintendo Entertainment System , Super NES , Macintosh , Amiga , Sega Genesis , and MS-DOS compatible operating systems.
Locked hands style is a technique of chord voicing for the piano. Popularized by the jazz pianist George Shearing, it is a way to implement the "block chord" method of harmony on a keyboard instrument. The locked hands technique requires the pianist to play the melody using both hands in unison.
The concerto finishes with piano solo, sadly playing low F minor chords. The final part of the work is, perhaps, its most important. Glass comments: "I wanted this final movement to reflect also the expanse of time - what the land was before the expedition and what it became after."
In jazz music, on the other hand, such chords are extremely common, and in this setting the mystic chord can be viewed simply as a C 13 ♯ 11 chord with the fifth omitted. In the score to the right is an example of a Duke Ellington composition that uses a different voicing of this chord at the end of the second bar, played on E (E 13 ♯ 11).
A crystallophone is a musical instrument that produces sound from glass. One of the best known crystallophones is the glass harmonica, a set of rotating glass bowls which produce eerie, clear tones when rubbed with a wet finger. Musical glasses, the glass harp, were documented in Persia in the 14th century. [1]
The progression is also used entirely with minor chords[i-v-vii-iv (g#, d#, f#, c#)] in the middle section of Chopin's etude op. 10 no. 12. However, using the same chord type (major or minor) on all four chords causes it to feel more like a sequence of descending fourths than a bona fide chord progression.