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For cameras that can only focus on one object distance at a time, depth of field is the distance between the nearest and the farthest objects that are in acceptably sharp focus in the image. [1] ". Acceptably sharp focus" is defined using a property called the "circle of confusion". The depth of field can be determined by focal length, distance ...
Deep focus is a photographic and cinematographic technique using a large depth of field. Depth of field is the front-to-back range of focus in an image, or how much of it appears sharp and clear. In deep focus, the foreground, middle ground, and background are all in focus. Deep focus is normally achieved by choosing a small aperture.
Shallow focus is a photographic and cinematographic technique incorporating a small depth of field. In shallow focus, one plane of the scene is in focus while the rest is out of focus. Shallow focus is typically used to emphasize one part of the image over another. [1] Photographers sometimes refer to the aesthetic quality of the unfocused area ...
The phrase depth of focus is sometimes erroneously used to refer to depth of field (DOF), which is the distance from the lens in acceptable focus, whereas the true meaning of depth of focus refers to the zone behind the lens wherein the film plane or sensor is placed to produce an in-focus image. Depth of field depends on the focus distance ...
The Brenizer method, sometimes referred to as bokeh panorama or bokehrama, is a photographic technique characterized by the creation of a digital image exhibiting a shallow depth of field in tandem with a wide angle of view. Created by use of panoramic stitching techniques applied to portraiture, it was popularized by photographer Ryan Brenizer ...
Good bokeh is also important for medium telephoto lenses (typically 85–150 mm on 35 mm format). When used in portrait photography (for their "natural" perspective), the photographer usually wants a shallow depth of field, so that the subject stands out sharply against a blurred background.
A high numerical aperture (equivalent to a low f-number) gives a very shallow depth of field. Higher magnification objective lenses generally have shallower depth of field; a 100× objective lens with a numerical aperture of around 1.4 has a depth of field of approximately 1 μm. When observing a sample directly, the limitations of the shallow ...
A shallow depth of field is created when there is a small area in an image that is in focus, while the background is blurred, leaving only the subject in focus. This effect is achieved by increasing the camera's aperture or by decreasing the cameras f number. [26]