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Antoni Gaudí i Cornet [3] (/ ɡ aʊ ˈ d i / gow-DEE, / ˈ ɡ aʊ d i / GOW-dee, Catalan: [ənˈtɔni ɣəwˈði]; [4] 25 June 1852 – 10 June 1926) was a Catalan architect and designer, known as the greatest exponent of Catalan Modernisme. [5]
Vincenzo Scamozzi (1548–1616), architect; author of The Idea of a Universal Architecture; Sebastiano del Piombo (c. 1485–1547), real name "Sebastiano Luciani", painter who became an assistant to Pope Clement VII (keeper of the leaden seal, hence "Piombo", which means "lead") Gian Antonio Selva (1751–1819), architect
Relativity is a lithograph print by the Dutch artist M. C. Escher, first printed in December 1953. The first version of this work was a woodcut made earlier that same year. [1] It depicts a world in which the normal laws of gravity do not apply. The architectural structure seems to be the centre of an idyllic community, with most of its ...
William Roger Dean (born 31 August 1944) is an English artist, designer, and publisher. He began painting posters and album covers for musicians in the late 1960s. The groups for whom he did the most art are the English rock bands Yes and Asia. The covers often feature exotic fantasy landscapes. His work has sold more than 150 million copies ...
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The Belgian architect Victor Horta was among the first to introduce the whiplash curve into Art Nouveau architecture, particularly in the wrought iron stairways and complementary ceramic floors and painted walls of the Hôtel Tassel in Brussels (1892–93). The lines were inspired by the curving stems of plants and flowers.
Pierre "Peter" Charles L'Enfant (French: [pjɛʁ ʃɑʁl lɑ̃fɑ̃]; August 2, 1754 – June 14, 1825) was a French-American artist, professor, and military engineer.In 1791, L'Enfant designed the baroque-styled plan for the development of Washington, D.C., after it was designated to become the capital of the United States following its relocation from Philadelphia.
From the unexpected naturalism of Rodin's first major figure – inspired by his 1875 trip to Italy – to the unconventional memorials whose commissions he later sought, his reputation grew, and Rodin became the preeminent French sculptor of his time. By 1900, he was a world-renowned artist.